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《李尔王》是一出五幕悲剧。它被20世纪英国资深莎学评论家布拉德利(A.C.Beadley)誉为莎翁四大悲剧中“最伟大的成就”。在莎士比亚之前,关于这个传奇故事的作品大多数是大团圆的喜剧结尾。而莎士比亚却是以悲剧作结。那些喜剧收尾的作品随着历史湮灭,反倒莎翁的悲剧结尾作品几百年来依旧闪烁着悲剧的光华。本文在前人研究的背景下,按照亚里士多德悲剧理念,浅析李尔这一人物的命运悲剧必然性,并以此为路径进入《李尔王》中满载激情的博大艺术殿堂,感受这一伟大悲剧的魅力。
“King Lear” is a tragedy of five acts. It was the twentieth century British senior Shakespearean critic Bradley (A.C.Beadley) as Shakespeare four tragedies “greatest achievement ”. Before Shakespeare, most of the work on this legendary story ended in a happy reunion. Shakespeare, however, ended up as a tragedy. Those works ending in comedies annihilate with history, while the tragedy of the end of Shakespeare’s works is still flashing the tragedy of light for centuries. Based on the tragedy idea of Aristotle, this article analyzes the tragedy inevitability of Lear ’s character in the background of previous studies and uses it as a path to enter into the vast and arduous art hall full of passion in “King Lear” The charm of this great tragedy.