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中国现代的旧体译诗一直被新体译诗所遮蔽,长期以来得不到应有的认识和评价。钱锺书融汇新旧,贯通中西,在翻译理念上注重“达”为“信”之前提,在翻译方式上积极调动文言资源,在翻译目的上注重寻找中西诗的共通之处。通过对钱锺书西诗中译的少量实践与零散议论的总结与分析,可以增益对外国诗引入汉语世界后如何处理与固有诗歌传统关系这一问题的理解,并重新认识旧体译诗在中国现代的存在形态与艺术价值。
The modern Chinese old body translation poetry has been obscured by the new body translation poetry for a long time and has not been properly recognized and evaluated. Qian Zhongshu integrates the old and the new and runs through both China and the West. His translation concept focuses on the premise of “Da ” as “letter ”. He actively mobilizes the resources of classical Chinese in the mode of translation and pays attention to the commonalities between Chinese and Western poetry in translation. Through the summary and analysis of a small amount of practice and scattered discussion in the translation of Qian Zhongshu’s western poems, we can gain an understanding of how to deal with the traditional relationship with the inherent poetry after the introduction of foreign poems into the Chinese world, The Mode of Modern China and Its Artistic Value.