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我国戏曲是从古代歌舞、杂技和说唱等文艺形式演变而来的。如湖南的戏剧,可追溯到楚国时巫觋活动的祭神歌舞。福建戏曲的形成则与南北朝、隋唐五代的民间歌舞百戏的发展有关。吉林省的地方剧种,如二人转,如延边朝鲜族的新唱剧等,与东北古代的歌舞有着密切的关系。东北地处边陲,古称塞外,文化开发晚于中原与江南诸省。但东北各少数民族的歌舞也可以追溯到遥远的古代。甚至可以追溯到魏晋以前。《古今论》一书中,记载着这样一个故事: 朝鲜津卒霍里子高,晨起刺船,有一白首狂夫,披发提壶,乱流而渡。其妻随而
Chinese opera is evolved from the ancient art of singing and dancing, acrobatics and rap and other literary forms. Such as Hunan’s drama, dating back to the Chu Kingdom witch occasion dance festival. The formation of Fujian opera is related to the development of folk song and dance in the Northern and Southern Dynasties, Sui, Tang and Five Dynasties. Local operas in Jilin Province, such as the Duo Renju, such as Yan Chai’s Korean operas, have a close relationship with ancient song and dance in Northeast China. Northeast is located in the border area, the ancient plug, cultural development later than the Central Plains and southern provinces. However, the songs and dances of ethnic minorities in northeast China can also be traced back to distant ancient times. Even dating back to Wei and Jin even before. “Ancient and modern theory,” a book, recorded such a story: North Korea Zijin Horie Zi, morning stab the boat, there is a white Kuai Fu, Phi mention pot, turmoil and ferry. His wife then