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本文是以内蒙古进入21世纪这十几年来的音乐评论作为专项研究对象,进行梳理、归纳、总结、分析、批判性研究与评价。在肯定以往音乐评论研究的同时也发现了一些缺憾,因此笔者认为要在现阶段的审美关系中发挥积极的力量,充分发挥新世纪内蒙古音乐评论的潜能,从而介入艺术创作、介入日常生活和审美需求方面,所以对新世纪内蒙古音乐评论的不足作出反思,并提出一些建设性的意见与建议。
This essay regards the music commentary which Inner Mongolia entered in the 21st century as a special research object, combing, summarizing, summarizing, analyzing and critically researching and appraising. In the affirmation of previous studies on music criticism, some shortcomings have also been found. Therefore, I believe that in order to give full play to the potential of Inner Mongolia music commentary in the new century, I think it is necessary to intervene in artistic creation, intervene in daily life and aesthetic On the demand side, we should reflect on the shortcomings of Inner Mongolia’s music criticism in the new century and put forward some constructive suggestions and suggestions.