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《中国戏剧》开展“中国戏剧走向”的讨论,探讨中国戏剧究竟是不是完成了它的历史使命而必然走向衰亡这个广大戏剧工作者所关心的问题,无疑是面对严峻的戏剧现状在理论上寻求出路的举措,其现实意义显然是不可低估的。窃以为,中国戏剧的兴衰存亡,不可能是由哪一位理论家能够说了算的。戏剧的兴亡与否,关键在于它能不能在改革实践中健康地走向市场。党的十四大明确提出建立社会主义市场经济体制,这一理论上的重大突破,为深化改
“Chinese drama” to carry out the discussion of “the direction of Chinese drama” to explore whether the Chinese drama has completed its historic mission and inevitably goes to the decline of the broad theater workers concerned about the issue, no doubt in the face of harsh theater status in theory The immediate significance of these initiatives is obviously underestimated. Steal the thought that the rise and fall of Chinese drama can not be decided by any theorist. The key to the rise and fall of drama is whether it can go to the market healthily in the reform practice. The 14th CPC National Congress explicitly put forward the establishment of a socialist market economic system, a major breakthrough in this theory.