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到现在我还很留恋在青艺排练《结婚》的那100多个日日夜夜,因为它给我留下了一份美好的回忆。整个剧组的创作气氛是严肃认真而又和谐愉快的,尤其是这回我毫不费力就认下了4位如花似玉的女儿。记得一进组她们管我叫“老师”,听着怪生分的,后来王培导演和我都要求她们平时就要喊“妈”,我想演员在创作中地位应该是平等的。我们母女接触这么长时间,我发现她们每人都有自己独特的个性和经历,而这些与角色的要求有些吻合,有的相距却很
Now I am still nostalgic in the rehearsal of Youth Arts “get married” that more than 100 days and nights, because it left me a good memory. The creative atmosphere of the entire crew is serious and harmonious and pleasant, especially this time I find no effort to recognize the four flower-like daughter. I remember one group into the tube I called “teacher”, listening to strange points, and later director Wang Pei and I have to ask them usually want to shout “Mom”, I think the actor in the creation of status should be equal. When our mothers and daughters came into contact with me for so long, I found that each of them had their own unique personality and experience, and these were in line with the requirements of the characters and some were quite different