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现藏于故宫博物院的仇英《职贡图》卷,堪称画家功力精绝的佳作之一。图上累累印章与卷后数段题跋蕴含的丰富信息,加之明清两代的书画著录书中记述的种种情形,皆为此卷的流传提供了较为充实的材料与证据。通过梳理,本文勾勒出此图在近五百年之间的流传情形——其先后递藏于明正德嘉靖年间的苏州陈官、万历崇祯年间的昆山张丑、清初之际的常熟顾复与正定梁清标、康熙乾隆年间的天津安岐与果亲王允礼、乾隆内府、道光年间的遵化李恩庆、同治光绪年间的河内毕登瀛与武进费念慈、民国年间的苏州王季迁与无锡丁惠康,20世纪50年代初期入藏故宫博物院。
Now hidden in the Palace Museum Qiuying “job Gongtu” volume, called the artist skill one of the best. The rich seal of the figure, the rich information contained in the inscriptions and postscripts, and the descriptions of the Ming and Qing dynasties’ paintings and calligraphies provide ample material and evidence for the circulation of this volume. This paper sketches the spread of this map over the past five hundred years - it has been handed over in the years of Ming, Zheng, and Jiajing in Suzhou Chen Guan, Kunshan in the Chongli Reign of Wanli during the Qing Dynasty, Changshu Gu Fu And Zhengding Liang Qingbiao, Kangxi Emperor Qianlong in Tianjin during the Annuo and fruit Prince Wan Yunli, Qianlong Nei Fu, Daoguang Li Enqing Daoguang, Tongzhi Guangxu years Hanoi Beiteng Ying and Wujin Fei Nianci, during the Republic of China in Suzhou Wang Jqian and Wuxi Ding Huikang, Early 20th century 50’s Palace Museum.