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我们总是感叹自己的时代是个缺乏大师的时代,却很少顾及到我们的时代还是个缺少画派的时代。唯其缺少,所以感叹。然而,感叹之余,我们不免悄声而问:为何昔日的盐商可以成就一个“扬州画派”,而今天的富商们却难有所为呢?此间是否还有画家个体、官人乃至部分媒体的责任?一富豪乡绅:成也败也有人说,金钱是唯一的阳光,照在哪里哪里就发亮。终身追求“不负责任”的波德莱尔甚至公然宣称:金钱是艺术天然的朋友。倘以扬州画派验之,此言自然不虚。扬州盐商为了摆脱其“四民之末”的历史排名,不得不“贾而好儒”。
We always lamented that our own time is a time of lack of masters, but seldom takes into account that our time is still an era lacking in painting. Only its lack of, so sigh. However, while sighing, we can not help but quietly asked: Why did the salt merchants of the past make a “Yangzhou School of Painting,” but today, the rich businessmen are having trouble doing this? Are there artists, officials and even some of the media Responsibility? Regal squire: into defeat Some people say that money is the only sunlight, according to where it shines. Baudelaire, who has been pursuing “irresponsible” for life, has even declared that money is an art natural friend. If Yangzhou painting experience, the remark naturally not bad. Yangzhou salt merchants in order to get rid of its “four people at the end of” the historical rank, had “Jia and Confucianism.”