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很长时间以来.人们生活在一个由我们自己创造的单调的产品世界里.住着差不多同样的房子.乘着差不多同样的汽车,走进差不多同样的办公室.坐在差不多同样的办公桌、椅中.然后下班又回到差不多同样摆设的家里……单调的风格化的物品包围着我们.窒息着我们.使我们变得几乎和它们一样.渐渐失去了感觉.时于这种状况.生物学家E·O·威尔逊曾说过.“现在我们已临末日.心中的声音低语着:你已经走得太远了.扰乱了世界,对自然的控制方式太过分了.”如今.时代已经放弃了“现代主义”的理论.对“机械风格”、“简单化”、“标准化”越来越反感的人们认识到产品过于注重“功能性”、“物质性”,牺牲“自然性”、“非物质性”给人类带来的巨大灾难.作为人类,我们不仅应把那些物品用于我们的生活.而且,还应该开始把它们当作我们心灵和感情的投射.愉悦我们、表达我们.让它们吸引并纵容我们的各种感觉.支持和帮助我们的行为.这也许就是设计的真正目的.就是现代主义和后现代上义的最大区别,就是从传统的以自我为参照的、理性的、单一的物的创造向注重人文内容的、感性的、复合的物的创造这一转变的意义.
For a long time people lived in a monotonous world of products created by us, living in almost the same house, taking almost the same car, into the same office, sitting at almost the same desk, And then back to get off work after almost the same home furnishings ... ... monotonous stylized objects surrounded us, suffocating us, so that we become almost the same as they gradually lost their sense of time in this situation. Home Wilson has said. “Now we have the end of the day, the voice of the heart whispered: You have gone too far. Disrupted the world, the natural way of controlling too much.” Now, times have given up Theories of “modernism.” People who are increasingly disgusted with “mechanical style,” “simplification,” and “standardization” recognize that products are too focused on “functional”, “material”, “natural”, “ Non-material ”to human beings as a catastrophe as human beings, we should not only those items for our lives, but also should begin to treat them as a projection of our hearts and feelings. Let us attract and indulge our various senses, support and help our behavior, which may be the true purpose of design, the biggest difference between modernism and postmodernism, that is, from the traditional self-centeredness As the reference, the rational, the creation of a single object to humanistic content, emotional, complex object to create the significance of this shift.