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说起绘画,我们经常自认为很了解或很肯定它的历史趋势,甚至在教科书的现代主义绘画逻辑下,裁定了很多关于绘画的标尺。如果我们不对这些标尺进行反思和再思考,我们将对很多绘画视而不见,或视而偏见。以往从事绘画,都是习惯地去画画,或者按照既有的方式去追寻绘画的法则,而现代主义最大的特质不是取消画画,而是重新发现了绘画不等于简单的画面的形成,所有一切关于
When it comes to painting, we often think of ourselves as knowing or affirming its historical trends and ruled a lot about the scale of painting even under the logic of modernist painting of textbooks. If we do not reflect on and reconsider these rulers, we will turn a blind eye to many paintings or prejudice them. In the past engaged in painting, are used to drawing, or according to the existing way to pursue the law of painting, and the greatest trait of modernism is not to cancel the painting, but rediscovering the painting is not equal to the simple picture formation, all All about