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莫里茨·盖格尔运用现象学的方法建立了价值论美学。盖格尔对审美价值的研究,首先是把审美价值从正在进行体验的主体之中孤立出来,对其构成成分及其价值模式进行阐述,以便寻找审美价值的客观性依据,以此去反对美学中的心理主义。然后再关联到主体的深度层次去论述审美价值的主观性,审美价值主观性的含义是:艺术作品只是为了人们才存在,美只存在于它与体验它的人类的关系之中,只是对于主体、对于自我的体验,艺术才具有意味。
Moritz Gaigl established phenomenological aesthetics using phenomenological methods. The first part of the study of the aesthetic value of Geigel is to isolate the aesthetic value from the subject who is experiencing the experience and elaborate its composition and value model in order to find the objectivity basis of the aesthetic value in order to oppose the aesthetic In the psychology. And then it correlates to the subjective level of the subject to discuss the subjectivity of the aesthetic value. The subjectivity of the aesthetic value means that the artwork only exists for people, the beauty only exists in the relationship between it and the human who experiences it, Art has meaning for self-experience.