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全国山水画理论研讨会,由中国画研究院主办,于1995年10月31日至11月6日在无锡太湖国家旅游度假区召开。参加研讨会的有中国画研究院院长刘勃舒、院长助理舒建新、著名画家亚明(特邀),中国画研究院画家及来自北京,辽宁、黑龙江、河南、江苏、湖北、广西、四川、陕西等地的二十余位画家、理论家。 会议首先回顾了近年来中国山水画创作中碰到的许多问题,并将大家关心的问题提出来,通过研讨达到繁荣山水画创作及艺术语言开拓的目的。会议分三个方面进行。 一,对中国山水画当前创作情况的评估 通过十年来美术界的变化,结合新潮美术、新文人画的回顾以及商品经济的冲击,对当前中国山水画创作情况作了基本估计。 ①对中国山水画“末日论”的提法消沉了,平静了。 ②对94年山水画坛的评价为“平平”,相对正常、平和状态。 ③80年代以来,中国画整个是多样化选择,从古典形态向现代形态转化的时期。八届美展,山水画体现了风格的多样化。无论是从山水画艺术语言出现的“明确音符”或“风格主义”来看,存在的问题是肤浅,模仿多。原因是商品经济因素的影响,画家没自己的想法,深入生活、写生不够。
The National Symposium on Landscape Painting, sponsored by the Chinese Painting Research Institute, was held in Taihu Lake National Tourism Resort in Wuxi from October 31 to November 6, 1995. Participants in the seminar included: Liu Boshu, dean of the Chinese Painting Research Institute; Shu Jianxin, assistant to the president; Yaming, a famous painter; invited painters from the Chinese Painting Research Institute and painters from Beijing, Liaoning, Heilongjiang, Henan, Jiangsu, Hubei, Guangxi, Sichuan, Shaanxi More than twenty other artists and theorists. The conference first reviewed many problems encountered in the creation of Chinese landscape paintings in recent years and brought forward the issues of concern to all through discussion to achieve the purpose of creating prosperity and artistic language. The meeting is divided into three aspects. I. THE EVALUATION OF THE CURRENT CREATION OF CHINESE LANDSCAPE Painting Through the changes of the art world in recent ten years and with the review of trendy fine arts, new literati paintings and the impact of the commodity economy, the current situation of Chinese landscape painting has been basically estimated. ① The formulation of “Doomsday Theory” of Chinese landscape painting is depressing and calm. ② 94 years of landscape painting evaluation of the “flat”, relatively normal, calm state. ③ Since the 1980s, Chinese painting is a period of diversification and transformation from classical forms to modern forms. Eighth Art Exhibition, landscape painting reflects the diversity of styles. No matter from the “clear musical notes” or “style-oriented” appearing in the art language of landscape painting, the existing problems are superficial and imitative. The reason is the impact of commodity economy, the painter did not own ideas, in-depth life, sketching is not enough.