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一项元汴所处时代的玩物鉴藏风尚关于明代的鉴藏风尚,明初有“《格古要论》三卷,明曹昭撰,昭字明仲,松江人。其书成于洪武二十年,凡分十三门,曰古铜器、曰古画、曰古墨迹、曰古碑法帖、曰古琴、曰古砚、曰珍奇、曰金铁、曰古窑器、曰古漆器、曰锦绮、曰异木、曰异石。每门又各分,数目多者三四十条,少者亦五六条。其余古今名玩器具,真赝优劣之辨,皆能剖析微至,又谙悉典故一切源流本末,无不指掌了然,故其书颇为名赏鉴家所重”1。进入晚明时期,身处商业化社会的文人士大
A metaphysical era of plaything Kam Collection on the Ming Dynasty Kam Kam on the style, the early Ming Dynasty has three volumes, Hongwu twenty years, where sub-13, said bronze, saying ancient paintings, said ancient ink, said the ancient monument Fateh, said Guqin, said ancient Yan, said precious, said gold, said ancient kiln, saying ancient Lacquer, said Kam Yee, said different wood, said different stone. Each door and the points, the number of more than thirty or forty, fewer who also 56. The rest of the ancient and modern play equipment, the true pros and cons of the difference, both can Anatomy of micro-to, but also familiar with allusions all the origins of this book, all know, so the book is quite famous reward home " 1. Into the late Ming period, in a commercial society literati