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作为日本第一个获得诺贝尔文学奖的川端康成,其散文魅力从1933年的作品《秋鸟》中可见一斑。该作品从其个人的生活体验出发,仿佛一个不动声色的摄影师,用不加雕琢的自然叙述,使作品达到非常高的境界。语言虽然平淡,但却不乏味,立足于自然、现实,又超越它,带给我们的是一种无限的哀怨和遐想,从中看到的是其独特的美与丰富多彩的情感,它给予了我们多元化的思考。一、从《秋鸟》看川端康成的人生观“小鸟是冬季的飞禽。”这样一句话,仅仅这八个字,就给整篇文章定下了一个活泼、清新、自然、多情的基调,也让我们感到淡淡的、悲凉之感。文章通过对小鸟的细致描写,使我们仿佛看到弱小的
As Japan’s first Nobel Prize winner Kawabata, his essay charm from the 1933 work “Autumn Bird” can be seen. Starting from her personal experience of living, the piece resembles an impromptu photographer who achieves a very high level of work with uncut natural narratives. Although the language is dull, but not boring, based on the natural, the reality, but also beyond it, is an infinite sorrow and reverie to us, what we can see is its unique beauty and colorful emotions, it gives We have a wide range of thinking. First, from the “Autumn Bird” Kawabata Yasunari’s outlook on life “Birds are birds of winter.” Such a sentence, just these eight words, to the entire article set a lively, fresh, natural, passionate The tone, but also let us feel a touch of sadness. The article through the detailed description of the bird, so that we seem to see the weak