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在中国文化史上,苏轼是少有的全才,文以豪放气派开一代新风,文人画成为中国画发展的里程碑,书法造诣居宋代四大家之首。然其仕途坎坷,数次迁任,知密州太守时,是其思想和书风转变的重要时期,近年来研究苏轼在密州的学者专家,大都把目光放在了他的思想、政绩与诗词创作方面,而对他居宋代“四大家”之首的书法的研究少之又少。本文就苏轼书法分期特点及倡导的“尚意”、知密州时期书风转变因素作探析。
In the history of Chinese culture, Su Shi is a rare all-enterprising person, with a bold style of liberation to open a new trend of the times. Literati painting has become a milestone in the development of Chinese painting. However, its career ups and downs, a number of relocations, prefect state governor, is an important period of his thought and style of writing changes. In recent years, the study of Su Shi scholars in the state of Michigan, most of the attention on his thinking, performance and There is very little research on the calligraphy which is the first of his four poems in Song Dynasty. This article analyzes the characteristics of calligraphy staging of Su Shi and the advocating “Shang Yi ” and the changing style of calligraphy during the period of Ch’u Mi Chau.