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在有幸读完《艺术与错觉》一书后,我发现书的前半部分贡布里希教授主要将他的精力主要在于研究艺术家为什么会有这么众多的风格,由此我忽然联想到了我们中国,一个拥有几千年灿烂文化的东方古国,也是拥有非常优秀风格各异的艺术家,而且他们经常会相并列的存在于同一个时代当中,描述同样的景致用同样的手段却能获得具有巨大视觉差异的艺术作品,其中的原因在哪里,我想,贡布里希教授在《艺术与错觉》里的研究可以很好的诠释这个问题。下面,我想
Having the pleasure of reading The Art and the Illusion, I found that Professor Gombrich, the first half of the book, mainly focused his energies on studying why artists had so many styles, and I suddenly came to think of China, one Eastern ancient countries with splendid culture for thousands of years are also artists with very different styles and styles, and they often exist side by side in the same era. They describe that the same scene can obtain huge visual difference by the same method Art works, of which the reason is where, I think, Professor Gombrich’s “art and illusion” in the study can be a good interpretation of this issue. Below, I think