木口木刻的情感表达

• 作 者: 蔡家祥
• 机 构: 广西艺术学院美术学院版画系,
• 出 处: 美术界
• 发表日期: 2016年06期
• 关键词: 木刻版画 创作意念 中国人 艺术形式 思维方式 绘画 作品 钥匙 观念

木口木刻版画虽属于由西方舶来的艺术形式,但在创作意念上,却迥异于西方绘画,而与我们中国的绘画观念倒很相近。也就是说,用我们中国人的思维方式和创作意念去进行木口木刻创作,就能得到一把从不会刻到会刻,再到不断创作出好作品来的钥匙。木刻创作版画来到中国,似乎被移植到了它最适合的土壤,这可能也是它在我国和东方一些国家得以迅速发展和深入普及的原因。无论是在东方还是在西方,无论是法国南部的拉斯科洞窟壁画,

Although woodcut woodcut belongs to the art form imported from the West, it is very different from Western painting in its creative concept, which is very similar to the concept of painting in China. In other words, using our Chinese way of thinking and creative ideas to carry out woodcut woodcut creation, we can get a never-carved moment, and continue to create good works to the key. The arrival of woodblock printmaking in China seems to have been transplanted to the soil it is most suitable for, which may also be the reason why it is rapidly expanding and gaining popularity in some countries in our country and in the East. Whether in the East or the West, whether it is the Lascaux cave paintings in southern France,