论文部分内容阅读
明末清初之际,很多画坛高手兼擅书艺,如八大、石涛、龚贤、傅山、戴本孝等,都是诗、书、画皆精到的大家。中国传统文化标榜『书画同源』,近代山水画大师黄宾虹先生曾说:『书画同源,欲明画法,先究书法。』(《宾虹书简》六十二《致汪孝文》上海人美八八年版)传统中国画家,都是书画俱佳,尤其是文人、士大夫之画,强调『写』,而不是『绘』。在文人、士大夫眼里,画是与书源出一流、命脉相通的艺术。甚至从抒发性灵的角度看,书法艺术的意境创造更高
In the late Ming and early Qing dynasties, many art masters and post-mortem artists, such as the Bates, Shi Tao, Gong Xian, Fu Shan and Dai Benxiao, are all poets, books and paintings. Chinese traditional culture flaunts “homology of painting and calligraphy”. Mr. Huang Binhong, a master of modern landscape painting, once said: “Calligraphy and painting are the same as one’s origin. ”(“ Binh Duong ”Sixty-two To Wang Xiaowen“ Shanghai Renmei Eighty-eight Edition) Traditional Chinese painters are excellent calligraphers, especially the literati and literati paintings, emphasizing ”writing“ rather than ”painting" . In the eyes of the literati and scholar, painting is an art with the same source as the book and the same lifelines. Even from the perspective of expressing spirituality, the artistic conception of calligraphy is created higher