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《三希堂法帖》是清代著名的汇刻丛帖之一。此帖刊刻于乾隆初年,正值清代政治、经济、文化艺术发展的全盛时期,作为文化艺术的重要组成部分,书画之属自当居于其发展前列,因此该法帖的问世决不是空穴来风,其中因由值得我们进行深入探究。作为少数民族的君王,清代前期诸帝对汉文化中的书法艺术尤为喜好,自顺治、经康熙、雍正至乾隆斯风渐盛。作为清代开国之君的顺治皇帝,《石渠宝笈》著录其书法较多,其中既有临摹
“Three Greek Church Fateh” is one of the famous remittances of the Qing Dynasty. This post is inscribed on the Qianlong first year, just as the heyday of political, economic, cultural and artistic development in the Qing Dynasty. As an important part of culture and art, the calligraphy and painting belongs to itself in the forefront of its development and therefore the advent of this method is by no means groundless. Which causes us to conduct in-depth exploration. As the kings of ethnic minorities, the monarchs in the early Qing Dynasty preferred the calligraphy art in the Han culture. Since Shunzhi passed through Kangxi and Yongzheng to Qianlong, the monarchs have become more and more popular. As the emperor of Shunzhi, the founder of the Qing Dynasty, Shi Bao Ba 着 recorded more of its calligraphy, including both copy