民间舞动律初探

• 作 者: 张种丽
• 出 处: 艺境(山西艺术职业学院学报)
• 发表日期: 2000年01期
• 关键词: 舞蹈教学 下肢 民族民间舞 膝部 民间舞蹈 前点步 多朗 古格里 鹤步 连绵起伏

动律,在民间舞蹈教学中,如同一种最基本的语言条件,是最本质、最灵魂的东西。在具体的舞蹈陈述中,动律来自于人体的下肢,也就是说,民间舞的动律是从下肢开始的,由下肢产生的不同动律而带动人体整个舞姿的变化与配合,从而形成了民间舞不同的特点和风格。因此,民间舞蹈教学要贯彻“自下而上”的这样一条规律,这是民间舞教学的灵魂和最基础、最本质意义的东

Rhythm, in folk dance teaching, as a basic language conditions, is the most essential and most soulful thing. In specific dance statements, the rhythm comes from the lower extremities of the human body. That is to say, the folk dance moves from the lower limbs to the lower limbs, resulting in different movements of the lower limbs that lead to the changes and cooperation of the entire dance posture. Folk dance different characteristics and styles. Therefore, folk dance teaching should carry out the “bottom-up” such a law, which is the soul of folk dance teaching and the most basic and most essential meaning of the East