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中国画经历了一个时期的“新潮”之后,茫然之间渐渐转入了对传统的再认识,“新潮”美术在形式与语言方面的探索成就,终究回归于传统的怀抱,并以新传统的价值积淀下来,使中国画得到历史的发展。而当“新潮”美术在这一美术变革中,由于内在复杂的因素而无力演进的时候,本有着传统修养和笔墨功力的画家,这时便显示出底气的优势。我读马兰鼎的中国画作品,深切地感受到这一点。
Chinese painting experienced a period of “trendy” after a loss into the traditional re-understanding gradually, “trendy” art in the form and language exploration achievements, after all, return to the traditional embrace, and the value of the new tradition Accumulate, so that Chinese painting has been the history of development. When the “trendy” art in this art reform, unable to evolve due to the inherent complexity of the factors, the painter with the traditional cultivation and pen and ink skills, then demonstrated the advantage of emboldened. I read Malan Ding’s Chinese painting works and feel it deeply.