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纵观陀思妥耶夫斯基的一生,疯癫无常,“是善与恶、爱与恨、灵与肉,理智与感情,天仙与魔鬼、赌徒与忏悔者,健康、常态与病态,变态的结合体。”能在片刻之间脸孔变幻无常,如此独特怪异的性格是如何赋予他独到的文学嗅觉,正如别林斯基说的,“在我们今天,只能在疯人院中,而不是在文学中占有地位,应该过问的是医生,而不是诗人。”让他拥有疯癫的眼,去发现人身上的人?疯癫与文明之间,是否如福柯说的有着剪不断。理还乱的牵扯,陀思妥耶夫斯基是怎么样用这双疯癫之眼去丈量眼前这个世界的?
Throughout Dostoevsky’s life, he is insane and mad. “It is good and evil, love and hate, spirit and flesh, reason and feeling, angel and devil, gambler and confessor, healthy, normal and morbid, Perverted combination. ”“ In a moment between the face of fickleness, such a unique and weird character is how to give him a unique sense of literary, as Belinsky said, ”In our day, only in the madhouse , Rather than occupy a place in literature, should be asked about the doctor, not the poet. “” Let him have a crazy eye, to find people who? Between madness and civilization, as Foucault said there is no cut . Reorganization involved, Dostoyevsky is how to use this pair of crazy eyes to measure the immediate world?