论文部分内容阅读
我们从对古今戏曲的学习和研究中惊奇地看到,古今优秀的艺术家们已经发现戏曲情节段落间是“正反相衬、两极对比”相反相成的关系,即一方面是互相显见、相互依赖的,同时又是相互矛盾、相互排斥的。这种结构关系并非是由谁主观臆造出来从外部强加给戏曲的,而是其自身内在运动规律使然。戏剧情节是由矛盾冲突组成的,戏曲的结构特点,就在于它是以情节段落正反相间的形式把矛盾冲突凝炼得极其鲜明,许多“戏”就是从这种正反相衬、两极对比的搭配关系中产生的。
From the study and study of ancient and modern drama we are surprised to see that ancient and modern excellent artists have found that the plot of the opera is the opposite relation of “positive and negative phase contrast, bipolar contrast”, that is, on the one hand, it is obvious to each other Dependent, at the same time contradictory and mutually exclusive. This structural relationship is not imposed by subjective assumptions on the opera from the outside but by its own inherent laws of motion. The plot of the drama consists of contradictions and conflicts. The structural feature of the opera is that it condenses contradictions and conflicts sharply in the form of positive and negative plots. Many “operas” Bipolar contrast with the relationship generated.