论文部分内容阅读
二胡是极富表现力和感染力的民族拉弦乐器。二胡音色优美,其音域较窄,强弱变化自如,又接近于人声,因此具有丰富的表现力。在以往的二胡研究领域中,人们大多侧重于二胡右手弓法的探索,形成这种状况的原因是二胡右手弓法繁多,技巧复杂,并且难度较大。所以专家学者把解决弓法技术性的难点,作为研究二胡演奏的重要课题。然而对于左手演奏技巧方法的研究也不容忽视。揉弦是二胡左手演奏指法最常用的一种技巧,也是乐曲音质、音色变化不可缺少的组成部分。如果说右手
Erhu is very expressive and contagious national stringed instruments. Ebony sound beautiful, its narrow range, strength changes freely, but also close to the human voice, it has a wealth of expressiveness. In the field of erhu research in the past, most people focused on the exploration of the erhu right hand arch method. The reason for this situation is that the right hand of the erhu has many bow skills, complicated skills and is more difficult. Therefore, experts and scholars to solve the technical difficulties bow method, as an important issue to study erhu performance. However, the study of left-handed performance techniques should not be overlooked. Vibrato is the most commonly used technique of the erhu left hand fingering, but also an indispensable part of the sound quality and timbre of music. If you say the right hand