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王正的《双人浪漫曲》曾获一九八二——一九八三年度优秀剧本奖,剧本的文学性强,单是把它当作一部文学作品,读来就很有兴味。但剧作家写剧本毕竟着眼于舞台体现,再好的剧本,离开了舞台,也不过是个“睡美人”(包戈廷语)。王正同志在剧本前言中,也殷切地希望导演和演员能“充分展开艺术想象,发挥自己的创造才能”,把这位“睡美人”唤醒。现在可以有把握地说,青年导演娄迺鸣没有让剧作者失望,青艺喜剧队演出的《双人浪漫曲》,是一出让人耳目一新的抒情喜剧。《双》剧写的是一对青年恋人的恋爱故事。但“抒情”不是简简单单的“恋情”。剧作者力图多侧面地把握生活,在矛盾发展中塑造人物,并且注意人物情绪的多种色彩;作者还把情和理融合在一起,用同样
Wang Zheng’s “Double Romantic Song” won the 1982-1983 Outstanding Screenplay Award. The script is highly literary. Just reading it as a literary piece is very interesting. However, the playwright wrote the script, after all, focused on the stage embodiment, no matter how good the script left the stage, but also a “Sleeping Beauty” (Bagoten language). In his preface, Comrade Wang Zheng also earnestly hopes that directors and actors can “fully develop the artistic imagination and give play to their creative talents” and arouse the “Sleeping Beauty”. Now it can safely be said that the young director Lou 迺 Ming did not disappoint the playwright, “Double Romance” performed by the Young Arts comedy team is a refreshing lyric comedy. “Double” drama is a love story of a young couple. However, “lyricism” is not a simple “romance.” Playwright try to grasp the multi-faceted life, shaping the contradictions in the development of characters, and pay attention to the many emotions of the character color; the author also love and reason together, with the same