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导读川端康成对美的孜孜追求,使他写下了许多论述美的散文。在《花未眠》里,他说,自然的美是无限的,人感受到的美却是有限的。川端康成就用他那一双清澈、生动的眼睛,尽力去寻找那“有限的美”。他所注意的美,大多与日本独特的风俗景物有关,他的审美观具有非常强烈的民族性。在《美的存在与发现》《临终的眼》《日本文学之美》《日本美之展现》《不灭的美》等一系列文章里,川端对日本的和歌、小说、绘画、茶道等之美都有深刻而新颖的见解。下面的这篇《关于美》,由古希腊和中国的陶俑,联想到日本的舞伎和相扑力士,对比之下,发现后者“丑陋”却受欢迎,由此产生怀疑,进而为之悲哀。可见,川端康成对于美的体验是丰富而复杂的,阅读本篇,需要注意作者心底的这种情绪的不自觉流露。
After reading Kawabata’s assiduous pursuit of beauty, he wrote many essays on beauty. In “Flowers Without Sleep,” he said that the beauty of nature is infinite and the beauty it feels is limited. Kawabata made use of his pair of clear, vivid eyes, trying to find that “limited beauty ”. His attention to the United States, mostly with Japan’s unique customs scene, his aesthetic has a very strong national character. In a series of articles such as “The Existence and Discovery of the United States,” “The End of the Eye,” “The Beauty of Japanese Literature,” “The Beauty of Japan,” “Immortal Beauty,” Kawabata has the beauty of Japanese songs, novels, paintings, Profound and novel insights. The following article, “On Beauty,” contrasts with the figurines of ancient Greece and China, the Japanese Kabuki and the Sumo Lux, and finds the latter “ugly” so popular that it gives rise to suspicion, And then sad. Visible, Kawabata Yasunari experience of the United States is rich and complex, read this, you need to pay attention to the heart of the author’s unconscious disclosure of this emotion.