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《中国戏剧》开辟专栏掀起的关于戏剧命运讨论,使戏剧命运真正成为人们思考、关注的热点问题。专家们从各自的位置,各自的侧面提出各自的看法。我赞成“需求”说和“衰落的必然”说,但衰落的原因是什么,时代到底需求什么样的戏剧艺术,戏剧为什么这么快地衰落?由于讨论者各自所处的地理位置不同,对“危机”的剖析角度和着眼点有了差异,多是把目光投向多门类艺术的兴起,特别是电视这个戏剧的天敌的挤压造成的戏剧危机。衰落的另一视点则被忽视或遗忘,并把人为造成的戏剧危机淡化了。我是长期浸泡在地市这一级戏剧圈子中,对人为的灾害更清晰。我认为戏剧的
The discussion on the fate of the drama set off by the “Chinese Theater” opens up the column so that the fate of drama truly becomes a hot issue that people think and pay attention to. Experts from their own position, their own side to make their own views. I agree with the theory of “demand” and “the inevitable of decline,” but what are the reasons for the decline and what kind of dramatic art is the demand for the era? Why does the drama decline so quickly? Because of the different geographies of the discussants, Crisis "analysis of the point of view and the point of difference, mostly to look at the rise of many types of art, especially the TV drama of the drama caused by the squeeze of the drama crisis. Another point of decline is ignored or forgotten, and the human drama crisis was played down. I am a long-term immersion in the city at this level drama circle, more clear on the man-made disasters. I think theater