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金色八月,中国宁夏沙湖首届大漠国际沙雕大赛的20件沙雕新作,让地处内陆的宁夏人大开了一回眼界。而对于大多数中国人来说,沙雕艺术还显得有些陌生。沙雕艺术很年轻玩沙是一种古老的孩童游戏,它不分国界、地域和种族。然而,把沙子玩出艺术来,却是近20年的新鲜事,并且越来越凸现出无尽的生机活力。 20年前,沙雕艺术的鼻祖,现任世界沙雕协会(WSSA)主席Gerry Kirk先生,把最平常的“玩沙子”,在全世界推广发展成了现代沙雕艺术,他于1997年主持的沙雕作品《消失的大西洋城》破了两项吉尼斯记录。世界沙雕协会总部设在美国加利福尼亚,经其授权,每年在美国、荷兰、
Gold In August, the first desert sand sculpture contest of Shahu National Desert Sculpture Competition in Ningxia, China, opened a new horizon for the Ningxia People’s Congress located inland. For most Chinese people, the art of sand sculpture seems strange. Sand art is very young Sand is an ancient game of children, regardless of national boundaries, geography and ethnicity. However, to play sand art, but it is nearly 20 years of new things, and more and more highlights the endless vitality. Twenty years ago, the earliest ancestor of sand sculpture art, currently the chairman of World Sand Sculpture Association (WSSA), Mr. Gerry Kirk, promoted the most common “sand-playing” in the world to modern sand sculpture art. In 1997, he chaired the sand sculpture “ Vanishing Atlantic City ”broke two Guinness records. World Association of sand sculpture headquartered in California, the United States, by its authority, each year in the United States, the Netherlands,