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近年来,人们对中国传统民间艺术的研究大部分重点放在了对某种艺术形式的继承与发展等细枝末节上,真正从国际化视野宏观把握并运用中国传统民间艺术精神特质的研究很少。本文认为,中国传统民间艺术融艺术、社会、人文、历史和自然为一体,形成了其源远流长的精神特质。由这种精神特质反观我国当前艺术类高校艺术人才教育与我国艺术人才需求结合较差的现状,得到很多启示。艺术教育应该重树新的教育理念,立足本国实际需求,培养出更多对社会有用的艺术人才。
In recent years, most of the studies on Chinese traditional folk art have focused on the details of the inheritance and development of certain art forms, and few studies have truly mastered the characteristics of Chinese traditional folk arts from the perspective of internationalization. This article argues that Chinese traditional folk art integrates art, society, humanities, history and nature into one and forms a longstanding spiritual trait. From this spiritual trait, we can find a lot of enlightenment when we look at the current situation of the art talent education in the current art colleges and the poor demand of the art talents in our country. Art education should rebuild the new education concept and base itself on the actual needs of the country to cultivate more artistic talent useful to the society.