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中日文化交流源远流长,我认为日本近现代美术史是我国美术史论家值得研究的课题,因为我们都是东方民族,有着类似的文化背景,又都经历了长期的封建社会,近百年来都在探索民族绘画走向现代的问题,这个过程有经验,也有教训。尤其日本画家在走向现代这条路上比我们早了数十年,也会给我们以启示的。 旅日画家熊文韵女士的画展于1996年11月在北京中国美术馆举行。她是现代留学日本学习日本画的第一位回国举办画展的画家,她的作品融入了中日双方的文化,使人耳目一新,这确实是十分可喜之事。我在十多年前便提倡和建议中国学生去日本留学,学习现代日本画。自80年代中期开始,在我的
The cultural exchange between China and Japan goes back to ancient times. I think that the history of Japanese modern art is a topic worthy of study by the art historians in our country. Because we are both oriental peoples and have similar cultural backgrounds, they all experienced long-term feudal society. In exploring the issue of national painting going to modern times, this process has experience and lessons. In particular, Japanese painters have been demonstrating for decades earlier than us in their journey to modern times. The painter Ms. Xiong Wenyun, a Japanese artist, was held in November 1996 at the China National Art Museum in Beijing. She is the first painter to return to Japan to study Japanese painting in modern study in Japan. Her work is a refreshing event that integrates the culture of both China and Japan. More than a decade ago, I advocated and suggested Chinese students to study in Japan and learn modern Japanese paintings. Since the mid 80s, on mine