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杭间(展览艺术主持,中央工艺美术学院副教授):所谓的“学院化”不包括纯粹的美术学院,因为美院教师的身份与艺术家没有太大的冲突,他们一旦创作就是主流艺术家.但象参展的几位艺术家,他们是处在非主流地位的学院的老师,虽然从85年以来,他们一直在院校教书或者从事艺术设计,也一直在创作,他们有着较为安定的生存环境,既不狂飙激进,也厌恶保守,但他们始终游离在各个时期主流的美术思潮之外,他们这种状态我们称之为“学院化状态”,这名词是我们多次讨论的结果.他们每个人的艺术风格和艺术观都不一样,但因为他们身份的缘故,他们在学院化状态下对传统和现代的继承
Hang-hang (art director of the exhibition, associate professor of the Central Academy of Arts and Crafts): The so-called “academicization” does not include a pure art academy, because the academy teachers do not have much conflict with the artists and once they are created they are mainstream artists. Many of the participating artists, they are teachers of non-mainstream colleges. Although they have been teaching or designing art in colleges and universities for 85 years, they have also been writing. They have a relatively stable living environment, neither Hurricane radical, but also aversion to conservative, but they are always free of the mainstream trend of art in all periods, their status we call the “academic status”, the term is the result of our many discussions. Each of them the art The style and the concept of art are different, but because of their status they inherit the traditional and the modern