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近年来,对国内外油画的现状,境内外相关的舆论界不乏溢美之词。中国油画近十几年确乎走了一条不同寻常的路,其戏剧性的变化引出了一系列颇具新闻性的事件。总体已呈现纷繁的局面。而自由的学术空气加上商业利润的魔力,确有推动中国油画走向繁荣的可能。然而,冷静地体察中国油画现状,会清楚地发现这样一个事实:油画传入中国百余年,时至今日,才逐渐为中国部分民众接受,而这些接受的部分中国人中,仍多把油画作为一种外来艺术对待,视其
In recent years, the status quo of oil painting at home and abroad, there is no lack of glorious words in the media at home and abroad. In recent decades, Chinese oil painting has indeed taken an unusual course. Its dramatic changes have led to a series of fairly newsable events. The overall situation has been presented numerous. The freedom of academic air plus the magic of commercial profits, there is indeed to promote the possibility of Chinese oil paintings to prosperity. However, a calm observation of the status quo in China’s oil paintings will clearly reveal the fact that oil paintings were introduced into China for over a hundred years and are now gradually accepted by some Chinese people. Of these accepted Chinese paintings, Treat as a foreign art, depending on it