论文部分内容阅读
最近由王晓鹰导演的《红色》和《萨勒姆的女巫》这两出戏引发了首都观众和公众媒体的热议,《红色》加演,《萨勒姆的女巫》阔别十年,荣誉归来,依然感人至深。在王晓鹰导演的作品中,无论从戏的外在形式还是内在意蕴来看,《哥本哈根》和《红色》似乎更为相近,两个剧本在艺术形式和美学上的相似性也更为突出。国家话剧院有意识地把《红色》和《萨勒姆的女巫》放在一起进行研讨,我想应该是基于以下考虑:一、《红色》和《萨勒姆的女巫》的演出引发当代观众,特别青年观众的极大兴趣
The recent episodes of “Red” and “The Witch of Salem” directed by Wang Xiao Ying have sparked a heated debate among the capital’s audience and the public media with the return of “Red” and “The Witch of Salem” after 10 years , Still touching. In the works directed by Wang Xiaoying, no matter from the external form or the intrinsic meaning of play, “Copenhagen” seems to be more similar to “Red”, and the similarities between the two plays in the form of art and aesthetics are more prominent. The National Theater deliberately put together the “Red” and the “Sarge’s Witch,” and I think it should be based on the following considerations: First, the performances of “Red” and “The Sarge of Salem” sparked contemporary audiences, Special young audiences great interest