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台湾水墨画有其发展历史脉络中异质文化杂混的背景.对于不断从边缘化与离散经验中寻求身份认同的台湾水墨创作者.如何从一种属于台湾多重在场经验的文化认同观念.形构别于中原正统脉络下的台湾当代水墨风格.是其必然需要面对的课题。而试图扩充媒材技法的表现宽度与文化元素的表述广度.让多元性的绘画语言共同构造出跨界与框限交织的台湾水墨情调.是创作者始终致力从实际创作中探求的目标。于是,画面的视觉构成与美感,趋向丰富与多样成为创作者绘画语汇表述的特征。
Taiwan’s ink-and-wash painting has a mixed background of heterogeneous cultures in the context of its development, and Taiwanese ink and wash creators who are constantly seeking identity from marginalized and discrete experiences agree with the idea of a culture that belongs to Taiwan’s multiple presences. Different from the contemporary style of ink painting in Taiwan under the orthodox orthodox line of the Central Plains, it is an issue that it inevitably needs to face. Trying to expand the expression width of media techniques and the breadth of cultural elements so that diverse painting languages can jointly create the tide of ink and wash in Taiwan that crosses the boundaries between the borders and the frames and is the target that creators are always seeking from the actual creation. As a result, the visual composition and aesthetics of the picture tend to be rich and varied and become the features of the creator’s pictorial expressions.