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明代“前七子”领袖李梦阳,在文学与文学批评方面,自有其理论建树,尤其是指导文学复古运动的文学批评理论,66卷本《空同集》是他文学创作与文学批评的结晶。在仕途上光明磊落,刚直不阿,却是一个悲剧人物。五次入狱的铁窗生涯伴随他走完了忧愤坎坷的58年的人生历程。后世人,大体谙熟作为明代文学复古运动“前七子”领袖的李梦阳,而对他的仕途政绩、宦海沉浮的人生经历却知之甚少。薛正昌撰写的《李梦阳全传》(长春出版社19四年版,25,6万字)以文史结合的笔法,论述、刻画和再现了李梦阳一生的文学创作活动和仕途经历,情节曲折,读来感人至深,悲壮处催人泪下。
In the literary and literary criticism, Li Mengyang, the leader of the “Seven Seventies” in the Ming Dynasty, has its own theory, especially the literary criticism theory guiding the retroist movement of literature. The book “Empty and Set” is a crystallization of his literary creation and literary criticism. Be open and upright in official career, just, but it is a tragedy. Five jail barbed wire career accompanied him through the ups and downs of the ups and downs of 58 years of life. Later generations, generally familiar with Li Mengyang, the leader of the “Seven Seventies” of the literary retro movement in the Ming Dynasty, did not know much about his official career and the ups and downs of officialdom. Li Zhengyang’s Complete Biography of Li Mengyang (19 four-year edition of Changchun Publishing House, 25,600 words) by Xue Zhengchang discusses, depicts and recreates Li Mengyang’s literary creation activities and career experiences through twists and turns, Deep, tragic tears tear.