论文部分内容阅读
由江西省文化厅、中国剧协江西分会举办的第二届江西玉茗花戏剧节于四月五日至四月二十二日在南昌隆重举行。这届戏剧节于戏剧事业面临严峻考验,艺术团体实行体制改革、治理整顿的情势下拉开帷幕,既是对首届玉茗花戏剧节之后,近两年来本省戏剧创作成果的一次检阅,也是对处在困境之中的戏剧的一次积极的宣传和自救。与上届玉茗花戏剧节相比,这届戏剧节有如下几个鲜明特点:一、剧种齐全、形式多样。在原有的赣剧、采茶剧、京剧、话剧、歌剧、越剧、木偶剧等几大剧种的基础上,又出现了荒诞剧、歌舞剧等新的表现形式;二、体现了“主旋律”,质量有
The 2nd Jiangxi Tea Flower Festival, held by Jiangxi Provincial Department of Culture and Chinese Theater Association Jiangxi Branch, was held in Nanchang from April 5 to April 22. This drama festival is facing a severe test in the cause of drama. The reform and rectification of the art collectives started under the situation of rectification and reform. It was not only a review of the achievements in drama creation in the province in the past two years after the first Tea Culture Festival, An active publicity and self-help in the play of the dilemma. Compared with the last Yu Minghua drama festival, this drama festival has the following several distinctive features: First, complete drama, in various forms. On the basis of the original dramas such as Jiangxi Opera, Tea-picking Drama, Peking Opera, Drama, Opera, Yue Opera and Puppet Theater, new manifestations such as the absurd drama and the musical performances emerge. Second, the “main theme” Have