试论五声调式视唱曲风格问题

• 作 者: 孙静
• 机 构: 江苏省宝应县山阳中心初中,
• 出 处: 新课程(上)
• 发表日期: 2004年期
• 关键词: 五声调式 唱曲 风格问题 五声音阶 欣赏水平 首调唱名法 上去高山望平川 云南民歌 大三度 蒙古长调

随着音乐艺术的发展,欣赏水平的不断提高和人们对音乐理解程度的不断加深,视唱艺术已经不仅仅是作为音乐的一种表达形式存在了,它已经作为一门具体的学科成为人们研究的对象。一、中国五声调式的差异及其文化内涵以五声音阶、以五声为骨干所构成旋律的调式,不仅反映了其在现实音乐形态上的特征,更重要的是体现了华夏民族有着悠久历史的音乐思维和调式思维。

With the development of music art, the continuous improvement of the level of appreciation and the continuous deepening of people's comprehension of music, the art of solo singing has not only existed as an expression of music, but also has been studied as a specific subject Object. First, the differences between the five Chinese tone patterns and their cultural connotations The five-tone scale, with the fifth pattern as the backbone of the melody, not only reflects its characteristics in the form of real music, but more importantly, the Chinese nation has a long history History of music thinking and style thinking.