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伴随着社会生活的复杂化和多元化,观众审美心理的复杂化和多元化是必然的。一些文艺工作者认为,现在观众审美要求变数太多,难以琢磨,所以致使戏剧走下坡路。中国进入20世纪90年代后,打开了封闭之窗,现代化步伐不断加快,国际接轨日趋频繁,大众的审美心理已不可能停留在过去的层面上,这是我们不能回避的问题。对于艺术工作者来说,勇于面对现实才是惟一的出路。就其大众审美复杂化的问题,我认为,本身也有多层面的复杂因素。实际上,自新中国成立以来,由
With the complexity and diversification of social life, it is inevitable that the audience’s aesthetic psychology is complicated and diversified. Some literary and art workers think that nowadays the aesthetic demands of the audience are so variable and hard to be pondered that they have caused the drama to go downhill. Since China entered the 1990s, it has opened a closed window. The pace of modernization is accelerating and the international standards are becoming more frequent. It is impossible for the public’s aesthetic psychology to stay on the past level. This is an issue that we can not avoid. For art workers, being brave enough to face reality is the only way to go. In terms of the aesthetic complexity of the general public, I think there are also complicated factors in many aspects. In fact, since the founding of new China,