论文部分内容阅读
葛兆光一直对热衷于在水中捞盐似地寻找诗歌的“言外之意”、“弦外之音”式的传统解法耿耿于怀,害怕读者因此染上凭空臆测、信口开河之病,希望从诗歌语言形式出发,帮助读者深刻理解诗歌自身的美感内涵。此书正是作者这一志向的成功实践。该书最主要的特色是,作者在诗人小传中诗史意识浓厚,突出诗人在古体诗向近体诗及其在近体诗不断发展中的地位和作用。比如说到“诗圣”杜甫,突出了杜甫对古典诗尤其是近体律绝的句法、字法、篇法、声律都用力琢磨。“近体诗中虚
Ge Zhaoguang has always been interested in the water like salt to find poetry ”meaning“, ”syllable “ style of traditional solutions to heart, afraid of the reader so gauging the speculation, open the mouth of the disease, hoping from the poetic language form Set out to help readers understand the aesthetic connotation of poetry. This book is the author’s successful practice of this ambition. The main feature of the book is that the author has a strong sense of poetic history in his poet’s biography and highlights the status and role of the poet in the close-verse poem and its development in modern verse. For example, ”Poetic Saint “ Du Fu, highlighting the Du Fu on classical poetry, especially the near-term lawless syntax, lettering, articles law, the sound law are hard pondering. ”Near-body poem in the virtual