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喜剧作为主要的审美形态,历来受到不同门类艺术研究的关注,从中国电视剧近半个世纪的发展历程来看,中国的电视剧喜剧并不发达。20世纪90年代自情景喜剧引进以来,电视剧喜剧得到较快发展,但喜剧创作大多另辟蹊径,从戏说、大话、水煮、山寨,到当下现实喜剧的重建,消费主义可谓独领风骚。本文主要从中国当代审美需求的视角出发,探讨当下喜剧审美精神的内核,分析当代电视喜剧对时尚美学元素的运用导致的对喜剧本质的改写。
As a major aesthetic form, comedies have always been concerned by different kinds of art research. From the development course of Chinese dramas in nearly half a century, the comedy of Chinese dramas is underdeveloped. Since the introduction of sitcoms in the 1990s, television comedies have developed rapidly. However, most comedies have found their own ways. From consumerism to rhetoric, boasting, cottage, and reconstruction of present-day comedies, consumerism can be regarded as a leader. This essay mainly discusses the core of contemporary aesthetics of comedy from the perspective of contemporary Chinese aesthetic needs and analyzes the rewriting of the nature of comedy caused by the use of fashion aesthetics in contemporary television comedies.