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我们继承了“浙派”的很多东西,但“浙派”的辉煌阶段相对来讲是过去了,观在我们可以把眼光放得更宽更远。我总觉得地域性是一个阶段,到了一定时候,交通方便,信息灵敏,交流变多,时代发展,再过分强调“浙派”就不必要了。把中国美术学院的中国画放在全国、世界到底是什么位置?我们每个个体放在这个时代中是什么位置?这个问题更重要。我们应该是我们自己。很多画家各有各的成就,综合起来,要形成一个具有南方趣味或者江南味道的,也包括“浙派”味道的一种状态。
We inherit a lot of things like “Zhejiang School”, but the brilliant stage of “Zhejiang School ” is relatively past, and the concept can be far wider and wider. I always think that regionalism is a stage. By a certain time, it is unnecessary to have convenient transportation, sensitive information, more exchanges, development of the times and excessive emphasis on “Zhejiang School”. What is the position of the world in which the Chinese painting of the China Academy of Art is placed in the whole country? What is the position of each of us in this era? The question is even more important. We should be ourselves. Many painters each have their own accomplishments. When summed up, they form a state of southern flavor or southern flavor that also includes the taste of “Zhejiang School ”.