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“动”与“静”这一对矛盾存在于一切事物之中,书法也不例外。如我们接触的横平竖直的楷书,其各自独立,互不连带,这就是所谓的“静”态。“以使转为形质”的草书,笔画连绵起伏,势如蛇奔龙腾,属于“动”态。当然,“静”与“动”也是各有其长,各有所短。“静”态的楷书安定平和,宁静清远,庄重肃穆,具有较强的理性特色,但同时又容易失于呆板,缺乏生气。“动”态的草书活泼生动,富于生命力,具有较强的感情色彩,但同时又失于慌乱,
The contradiction between “moving” and “static” exists in all things, and calligraphy is no exception. Such as we touch the vertical and horizontal regular script, their independent, unrelated, this is the so-called “static ” state. “To make the change into the form of ” cursive, strokes and ups and downs, the trend is like a snake flying Dragon, belongs to “move ” state. Of course, “quiet ” and “move ” also has its own length, each has its own short. “Static ” state regular script calm, quiet Qingyuan, solemn solemn, with strong rational characteristics, but at the same time easily lost in dull, lack of vitality. “Cuo ” state cursive lively, full of vitality, with a strong emotional color, but at the same time lost in panic,