【摘 要】
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如果《绝望真相》当中加入了居澳中国艺术家沈少民的作品,其震憾力将必会如此次4A亚洲当代艺术中心的展览般大。于九十年代移居澳大利亚的沈少民,在澳大利亚并不为人所熟识,
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如果《绝望真相》当中加入了居澳中国艺术家沈少民的作品,其震憾力将必会如此次4A亚洲当代艺术中心的展览般大。于九十年代移居澳大利亚的沈少民,在澳大利亚并不为人所熟识,但因其作品当中的高度思考性和实验精神而崭露头角。早于2004年,他就已开始用地下挖出的动物骨骼嫁接而成假想动物品种。在这次题为“后天”的展
If “Despair Truth” joins the Chinese-Australian artist Shen Shaomin’s work, his shock will surely be as large as the 4A Asia Center for Contemporary Art’s exhibition. Shen Shaomin, who immigrated to Australia in the 1990s, is not well known in Australia but has emerged as a result of his high degree of thinking and experimentation in his work. As early as 2004, he has begun to use the underground scooped animal skeleton graft imaginary animal species. In this titled “The day after tomorrow” exhibition
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