踏板应用(2)——鲍利斯·贝尔曼钢琴教学笔记(十八)

• 出 处: 琴童
• 发表日期: 2015年06期
• 关键词: 贝尔曼 音乐表演 音乐系 利斯 普罗科菲耶夫 德彪西 经验探索 《前奏曲》 击弦 贝里奥

鲍利斯·贝尔曼,耶鲁大学音乐系教授,国际知名的俄罗斯钢琴学派出身的演奏家兼德高望重的钢琴教育家。在《钢琴大师教学笔记》一书中,贝尔曼以自身丰富的教学经验探索了钢琴演奏技巧和音乐诠释方面的问题,还在音乐表演和音乐教学的心理学方面提出了许多深刻的见解。本刊将陆续节选该书部分内容供读者阅读。对于作曲家在乐谱中所标出的踏板标记,尽管我们通常不可能、也不应该生搬硬套,但仍需以最为尊敬的态度对

Boris Berman, a professor of music at Yale University, a performer and respected piano educator from the world-renowned Russian Piano School. In “Piano Master’s Teaching Notes,” Behrman explores piano performance techniques and interpretation of music with his rich teaching experience. He also puts forward many profound insights into the psychology of music performance and music teaching. Articles will continue to excerpt part of the book for readers to read. Even though we usually can not and should not be foolhardy about the pedal marks the composer puts on his score, he still needs to respect each other in the most respectful manner