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喜剧从来离不开讽刺,而讽刺离不开对象及注视对象的眼睛。讽刺对象在讽刺者的眼睛里从来都是不和谐(僵硬,不灵活,丑)存在。这种不和谐不是对象本身,而是产生于对象的被观照之中。一句话,不和谐来自主客体双方的差异。对这种差异的感受,对客体低于主体的状态表示的轻蔑,便形成讽刺。“恶”(这个“恶”,当然不是凶恶)的讽刺是主体执著于这种高于客体的优势感中而难以自拔;“善”的讽刺来自于主体提升客体的愿望中。“善”的讽刺,执著于自身,希望通过对对象的不和谐与僵硬的讽刺,来达到对象
Comedy has always been inseparable from irony, and irony can not do without the eyes of the object and the object. Satirical objects are always discordant (stiff, inflexible, ugly) in the eyes of the satirist. This dissonance is not the object itself, but arises from the object being observed. In a word, disharmony comes from the difference between the two sides of the subject and the subject. Feelings of this difference, ironic as to contempt for the subjectivity of the object as the object. The irony of “evil” (which of course is not evil) is that the subject is clinging to this superiority superior to the object and unable to extricate itself. The irony of “goodness” comes from the desire of the subject to enhance the object. The irony of “good” is clinging to itself, hoping to reach the object through its discordant and rigid irony