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后现代的志气不仅在于对现代性气象的质疑和批判,更在于对传统认识论框架的一种否定,尤其对跨越现代到后现代的共同范畴做出了本质性的区分。尽管后现代繁殖的迷离以及后现代概念的不断流失,困扰了人们对其逃逸方向的追捕,然而其多音符的交响始终是围绕虚拟、荒诞、非系统三种旋律的不断变奏。也许后现代思想的现实性批判是荒芜的,但至少在人类思维的遮蔽上印证了海水下冰山的惊骇。
The ambition of postmodernism lies not only in the questioning and criticizing of the modernity meteorology, but also in the negation of the traditional epistemological framework and in particular in the essential distinction between the common categories spanning from the modern to the postmodern. Although the blur of postmodern reproduction and the continuous loss of the postmodern concept disturb the escape of people in their escape direction, the symphonic symphony of multi-notes always revolves around the continuous variation of the three melodies of fiction, absurdity and non-system. Perhaps the critique of the reality of postmodernism is barren, but at least the cover of human thinking confirms the horror of the icebergs beneath the sea.