论文部分内容阅读
“意识形态”是T.J.克拉克著作中的核心范畴。本文首先以T.J.克拉克对20世纪艺术发展总体回顾的文章《艺术创作的怀境》,对“意识形态”在T.J.克拉克艺术社会史观及其方法中的核心地位进行了说明;其次梳理了“意识形态”这一范畴,从属于政治哲学范畴到成为文艺美学范畴,再到成为艺术社会史研究范畴的发展历程;最后本文以《现代生活的画像:马奈及其追随者艺术中的巴黎》这本书为主,来具体解读T.J.克拉克赋予“意识形态”这一范畴的独特功能。
“Ideology ” is a core category in T.J. Clarke’s book. This article begins with an account of TJ Clarke’s article “The Context of Artistic Creation”, a general review of art development in the 20th century. It also explains the centrality of “Ideology” in TJ Clark’s social history view and methodology. Secondly, The category of “ideology” is subordinate to the category of political philosophy to the category of literary aesthetics and then to the development history of the study of social history of art. Finally, the thesis takes “the portrait of modern life: the art of Manet and his followers Paris, ”a book that explains TJ Clarke’s unique function of“ ideology. ”