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两宋时期,中国海商以浙东明州和北九州博多为据点,建立起庞大的宋日航海贸易网络。除了日常贸易品,宋商还将明州梅园石制的供养塔、宋风石狮等石刻制品带至日本九州。此外,12世纪末奈良东大寺重建之际,以伊行末为首的明州石刻匠人东渡,使浙东石刻技艺与日本本土的石刻工艺相互融汇。宋代浙东石刻原本是一种带有鲜明地方色彩的雕刻艺术,但因浙东明州是对日海交门户,故而伴随着浙东渡日海商和艺匠的活跃,浙东石刻艺术得以超越地域的囿限,在日本产生深远影响。
During the Song and Song dynasties, the Chinese maritime merchants established a huge Song-Japanese maritime trade network based on the bases of Mingdo in Eastern Zhejiang and Hakata Kitakyushu. In addition to the daily trade goods, Song merchants will also Mingzhou Meiyuan stone supply tower, stone carving Song Shishi products such as Japan’s Kyushu. In addition, the reconstruction of Nara Todaiji at the end of the twelfth century, led by the end of Iraq’s Ming Dynasty stone craftsmen Dongdu, so that East Zhejiang stone carving skills and Japan’s local stone carving technology convergence. Eastern Song Dynasty stone carving was originally a carved with a distinctive local color art, but because eastern Zhejiang Mingzhou is the sea of cross-border households, so along with the East Zhejiang ferry business and artisans lively, East Zhejiang stone art to Surpassing the limits of the region has a profound impact in Japan.