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电视专题片指的是运用纪实的手法,对人们生活与社会的集中,深入描写。一部优秀、有冲击力的电视专题片的制作与完成是前期与后期相关人员审美物化的载体,很难想象一部没有审美投入的电视专题片会是多么枯燥和无聊。正如艺术一样,电视专题片也是取自生活又升华于生活的一种形式,不能仅仅枯燥的写实,更要符合大众的审美体验,加大对审美的投入。电视专题片的审美投入包括撰写,拍摄,画面,画面剪辑,音响,解说配音,节奏和平衡结构等,是编剧,摄影,制作,演播人员的集体智慧结晶。这些审美的投入应当相互配合,而不是独立的,只有和谐有序的审美投入,才能使影片获得成功。下文就电视专题片制作审美投入的几个侧重点做一些说明,希望能有一定的借鉴意义。
TV feature film refers to the use of documentary practices, people’s life and social concentration, in-depth description. The production and completion of an excellent and influential TV feature film is a carrier of the aesthetic materialization of pre-and post-related personnel. It is hard to imagine how boring and boring a TV feature film can be without aesthetic input. Just like art, TV feature films are also a form taken from life and sublimated in life. They can not only be dull and realistic, but also conform to the public’s aesthetic experience and increase their input to the aesthetic. The aesthetic input of TV feature films includes writing, filming, screen shots, screen clips, audio, dubbing, rhythm and balance structure, which are the collective wisdom of writers, photographers, producers and performers. These aesthetic inputs should cooperate with each other, not be independent. Only the harmonious and orderly aesthetic input can make the film a success. The following article makes some explanations on the several focuses of the aesthetic investment in the production of television feature films, hoping to have certain reference significance.