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正当写意风、意象风、写生风像广场舞一样风靡大江南北时,独行大侠陈钧德先生的展览在中国美术馆亮相,向世人展示了当今最高水准的写意油画,没见陈先生发表过关于写意油画的言论,也没见陈先生参加过什么写意活动,作品是画家的最好宣言,任何口号都显得那么苍白无力,只有作品能证明一个画家的真正高度。作为陈钧德先生的忠实粉丝,第一次看到先生这么多作品,激动之情溢于言表,许多作品让我赞叹叫绝,不论用线、用色都已炉火纯青:用线,既是形又非形,既是象又非象,它是超越的、形而上的,不论顺锋、逆锋、侧锋,冷暖、粗细、轻重,均已进入了精神层面的表达,线的本身不仅是画面的组成部分,还具备了文化层面的独立价值,支撑线的背后是深厚的中国文化精神,线已超越自身的作用和意义。
Just as the freehand style, the style of the imagery and the sketch style are all the same as the square dance, the exhibition of the solo heroes Chen Junde debut at the National Art Museum of China shows the world the highest level of freehand oil painting. The speech also did not see Mr. Chen participated in any freehand activities, works of painters is the best manifesto, any slogan is so pale and weak, only works can prove the true height of an artist. As a loyal fan of Mr. Chen Junde, I saw so many works for the first time in my life. I was so excited and exasperated that many works made me marvelous. It is surreal and metaphysical. It has entered the spiritual level expression both forward and backward, side-front, warm and cold, thickness, severity, the line itself is not only part of the screen, but also has The independent value of culture and the supportive line are the profound Chinese cultural spirit. The line has gone beyond its own function and significance.